Comment On Schoenbegs Piece Peripetie

Comment on how Schoenberg uses the following musical elements in this makeup key and Harmony Melody Rhythm Texture tonus Peripetie is an atonal piece. This means that the piece has no key. The piece uses a mountain of dissonant harmonies as well as virtually of the chords and melodies be often built on hexachords. The texture is broadly speaking Polyphonic with the odd monophonic and homophonic bits. Schoenberg uses a can of techniques to build up the texture and make it more study and more complicated. Some of these techniques include inversions, imitations and canons. The rhythms argon also interlocking and vary. The rhythms change quickly between ¾, 2/4 and 4/4. Schoenberg also layers disparate rhythms to lasther to create a rattling labyrinthine polyphonic texture. The tempo of the piece is Sehr Rash, which means in German, very fast or very quick. The melody is do up of 7 motifs that are combined in variant ways. The melodies are disjunct a nd often sound angular. Schoenberg does this by musical musical octave displacement.

Schoenberg doesnt really develop the motif but human body of represents the motif in different ways by using techniques like melodic inversions, augmentation and diminution. Schoenberg uses a large orchestra made up from brass, strings, percussion and woodwind. The instruments change quickly between each different making the piece contrast in timbre. Schoenberg also makes the instruments change at the extremities of their range either very high or very low. He also makes the instruments play in apparitional ways, for example, he makes the cymbal be played with a mallet and cello bow to produ! ce an unfamiliar sound. He also uses instruments that are not utilise or not often apply in an orchestra such as the tam-tam and the contra bassoon.If you want to get a full essay, order it on our website: BestEssayCheap.com

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